Thursday, May 3, 2012

Extended Play: Talking with Apollo 9 Astronaut Rusty Schweickart

Posted by Nicolas Grizzle on Thu, May 3, 2012 at 12:21 PM

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Our recent news story about Apollo 9 astronaut Russell “Rusty” Schweickart’s presentation at the Smith Rafael Film Center in San Rafael focused not only on the event, but on Schweickart’s work preventing asteroids from colliding with Earth. The nature of this work is worth taking a closer look, and here are some key points, illustrated by Schweickart himself as recorded during our interview.

Preventable Natural Disaster
The idea of an asteroid hitting the Earth isn’t just science fiction – it has actually happened several times. It’s what killed the dinosaurs, and even happened on a smaller scale just 100 years ago in Siberia. But unlike hurricanes, tornadoes and earthquakes, we can prevent this potentially massive natural disaster and save millions of lives.

But who should be in charge of this? It’s not a geology thing, it’s not a weather thing, it’s more like a space thing. There’s a branch of Government for that, right? The United States’ NASA is a leader in space technology. But there is nothing in its charter about public safety, and that’s what this project falls under.

Tunguska
The Tunguska Event, as it’s referred to, was an asteroid about 120 feet in diameter, by most estimates, that impacted Earth in 1908 in rural Siberia. It’s power was equal to about 185 Hiroshima bombs, and it exploded above the ground, sending a massive shock wave that stripped bark off trees and created an impact area of about 800 square miles.

This is NASA’s 100-year anniversary description of the event, which I think is pretty well-done from a historical and scientific standpoint. There are also many photos, which aid in grasping the immense power an impact like this could have if it had happened in a populated area.

Considering AG5, which pretty much has a 1-in-500 chance of hitting Earth, is larger than Tunguska, it’s a scary thought. But there is a way to prevent this from happening, and I think Apollo 9 astronaut Rusty Schweickart makes a good case for putting some resources toward deflection of collision-course asteroids.

‘This is Katrina’
Before Katrina, government officials had been telling everyone who would listen that the levees around New Orleans could not withstand a major hurricane. When Katrina hit, it became apparent that maybe someone should have listened to them. It would not have cost a ton of money to save the lives of thousands, let alone the property damage and national embarrassment of the response effort.

Schweickart feels this is a similar situation, but magnified hundreds of times. If a large asteroid hit the planet, millions could die, and there likely could not be a rebuilding effort.

Apophis
But just because science tells us the odds of an NEA hitting Earth right now doesn’t mean those odds will remain the same. As recently as 2009, The NEA known as Apophis made headlines when it was deemed to have greater than a 2 percent chance of impact, the highest ever reported. For something this large (900 feet in diameter), results would be catastrophic, especially if it hit in the ocean.

But further tracking of the asteroid shows it now has a 1-in-135,000 chance of impact, or 0.00074 percent.

AG5, which is about half the size of Apophis, current has a 1-in-500 chance of hitting Earth, but that’s a 0.2 percent chance of impact. We will know more in 2029 when it comes closest to Earth. At that time, if it passes through a predetermined “keyhole” in space, it will almost certainly return 11 years later on course for impact. But by that time, it might be too late to plan, build and implement a deflection system by the impact date.

High-Priced Entertainment
The change in Apophis’s impact potential can be used to highlight the importance of more funding in this area. There are changes in the paths of NEAs all the time, including those not deemed threatening at this time. There are also plenty out there flying around the solar system undetected.

Schweickart makes the argument that space exploration is well and good, but it will not save lives. (Editorial comment: Unless Newt Gingrich becomes president, because he has pledged, in his second term, to establish a U.S. colony on the moon.) Schweickart says, “Science and exploration are high-priced entertainment.”

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Monday, April 30, 2012

Theater Review: Five Plays at Oregon Shakespeare Festival 2012

Posted by David Templeton on Mon, Apr 30, 2012 at 12:11 AM

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In early Spring, when the world seems equal parts rain and sunshine, our thoughts predictably turn inside out. As the natural world turns green and lush around us, we suddenly feel the urge to trade those inward, reflective, heat-seeking pursuits of winter for anything that gets us up and out, moving and planting and creating. Right on schedule, the Oregon Shakespeare Festival, in Ashland, has—as of mid-February—officially rekindled and recommenced, with six shows currently running in a nine-month-long season that will eventually total 11 shows on three stages.

Some are old favorites. Others are brand new.

This year, many are a combination of both of those.

Romeo & Juliet—directed by Laird Williamson in the spacious Angus Bowmer Theater—takes Shakespeare’s timeless tale of ill-fated teenagers in love, and sets it in California of the 1840’s, where two wealthy Mexican families feud as the American military moves in to occupy its new geographic acquisition. Think Zorro, and you’ll have an idea of the vibe Williamson is going for.

The best thing about the play is the freshness of its look, with stunningly detailed costumes (Susan Tsu), and an adobe-and-wood set by scenic designer Michael Ganio. Also a plus are the delightfully youthful performances of Daniel Jose Molina and Alejandra Escalente as Romeo and Juliet, and some nicely choreographed stage fighting, which seems like the kind of fighting teenagers would do if they were permitted to carry swords to school.

Unfortunately, though our star-crossed lovers do successfully act the ages of the teenage R&J—pouting and flirting, raging and brawling, skipping and frolicking—the pair never demonstrate much actual romantic chemistry. Lacking any real passion and fire, the tone of the production becomes a bit flat and non-involving.

A similar lack of engagement takes place in Troilus & Cressida, Shakespeare’s seldom-staged sociopolitical satire about sexual and geographical politics during the Trojan War. The action—and I use that word loosely—is set several years into the famous siege of Troy, placed somewhere between the legendary kidnapping of the beautiful Helen and the famous Trojan Horse episode. A deliberately thoughtful look at the costs of violence, Shakespeare shows us what war looks like when it’s stuck in a quagmire, with little happening beyond soldiers waiting, and waiting, and waiting, their psyches slowly disintegrating.

The story follows Trojan prince Troilus (here played by Raffi Barsoumian) who’s fallen hard for the lovely Cressida (Tala Ashe), a Trojan woman whose family is in disgrace after the defection of her father to the besieging Greek army. When their love is threatened by a prisoner swap agreement between the two sides, Shakespeare relates a very different story of what happens when true love is denied.

When staged with the emphasis on the slow heartbreak at the center of Shakespeare’s storytelling, this is devastating material, and director Rob Melrose begins with an intriguing interpretation that promises more than it ultimately delivers.

Updated to modern-day Bagdhad, the Trojans have been turned into Iraqis, with the Greeks transformed into American soldiers, the versatile New Theater turned into a rubble-filled battle filled outside a ruined city. Melrose’s vision is tasty, at first. There is a visceral thrill at seeing recognizable names like Achilles (Peter Macon) and Ulysses (Mark Murphey) portrayed as Desert Storm army guys, but somewhere along the way, the direction becomes muffled and confusing, and the ultimate pathos of Shakespeare’s low-key tragedy is ultimately not served as well as it could have been.

Far less serious, and much better, is Allison Narver’s hilarious and inventive staging of Animal Crackers. Energetic and entertaining, if somewhat overlong, this is Henry Wishcamper’s fan-friendly adaptation of the celebrated Marx Brothers musical, built from the original Broadway script (by George S. Kaufman and Morrie Ryskind) that launched the Marx Brothers' career.

Like the classic movie inspired by the play, Animal Crackers is the story of one wild weekend at the Long Island estate of Mrs. Rittenhouse (K.T. Vogt), who invites the celebrated African explorer Captain Spaulding (a Groucho-channeling Mark Bedard) to give a lecture at her home. Bedard captures Groucho’s physical mannerisms to a tee, though his vocal impersonation occasionally wanders. Forming the rest of the famous foursome, Brent Hinkley, John Tufts and Eddie Lopez (Harpo, Chico and Zeppo, respectively) recreate some of the most famous bits in classic-comedy history. With a live chamber orchestra on stage, and some inspired physical choreography that sends the cast literally careening off of one another, the low-brow shenanigans do begin to wear thin into the show’s overstuffed third portion. Not that Narver’s madcap confection is ever boring. It’s not. Ultimately, I recommend Animal Crackers, because too much of a good thing isn’t necessarily a bad thing.

Also recommended is director Libby Appel’s shimmering production of Anton Chekhov’s poignant The Seagull, with a crisp and lucid English adaptation by Appel that shows its intentions beginning with the title, shorted to merely Seagull.

Chekhov’s tale of a family of Russian artists clashing over money, art and love—love denied, love ignored, love destroyed—is presented in such an unfussy and straightforward manner, the playwright’s rocky emotional jigsaw puzzle becomes pleasantly, unexpectedly and heartbreakingly clear, as all of Chekhov’s pieces fall beautifully, one by one, into place.

The theme of impossible love continues in my favorite show of the current crop. The White Snake, written and directed by the Tony-winning Mary Zimmerman, brings a little-known Chinese folktale to life through eye-pleasing visuals that are as poetic and the luscious and heartbreaking text. If you think Romeo and Juliet had it hard, consider the problems facing White Snake (Amy Kim Wascke), a mountain snake spirit who ventures to the city of humans for one day, and falls hard for a kind-hearted pharmacist (Christopher Livingston), who does not suspect that the woman of his dreams is actually a snake in human disguise. Told in one fluid act, the story touches a rainbow array of tones and feeling as the two mismatched lovers catch the eye of a cruel priest (Jack Willis), who decries the couple’s love as unnatural, and vows to separate them forever. At once achingly simple and miles deep, The White Snake packs a huge emotional wallop, with a breathtaking ending that somehow blends heartache and delight into a single unforgettable image.

For the full schedule, visit www.OSFashland.org.

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Thursday, April 26, 2012

Here's the Crazy "Personal Journey" Post that Stacey Lawson Doesn't Want You To See

Posted by Gabe Meline on Thu, Apr 26, 2012 at 3:07 PM

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Most know Stacey Lawson as the millionaire political newcomer who moved to Marin to run for Congress. But from 2007-2010, Stacey Lawson blogged for the Huffington Post. Most of her posts were new-agey spiritual stuff: "Embrace a Miracle Reality," "You Become as You Think," "Knowledge is Bondage." The titles of all her posts can be found at this ufollow archival link.

What can't be found are the posts themselves, because Lawson had all of them deleted. And judging from her post "What it Means to Delete Everything and Start Over," dug up last night by Empire Report, it was probably a wise thing to do. An excerpt:

And while perhaps it sounds like a liberating process to face ones demons and invite them back into the heart, each step has been death. My idealized identity, the safe picture of “self” which has shielded me from these shameful aspects, is crumbling into nothingness. There is nothing to hold onto. There is no ground to stand upon. I am DYING. And it is terrifying.

Despite the pain and despair, I have tried to stay alert, watchful. I want to find out what this dying is. I have discovered an enormous burden of sorrow and suffering within me. I want to know if I can be free from this false self and from this sorrow.

As I have hurtled toward oblivion, it has felt like my skin is being pealed off, followed by muscle and tendon and bone until there is nothing left. Everything must die this inevitable death. What is Truth? How can one know the answer unless everything is stripped away? Every veil, every gauze of perception, every conditioned belief.

“Delete everything and start over,” suggested a good friend. All my well worn beliefs? Piles of crap. Delete. Everything I thought I knew? Bullshit. Delete. My personality? A bunch of absurd story lines. I have slowly been deleting everything and starting over.

This is a person running for U.S. Congress?

Read the whole thing here.

UPDATE: Empire Report has reprinted all of Stacey Lawson's Huffington Post writings here.

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Friday, April 6, 2012

Thirteen Blocks From Railroad Square Is Not "A Few Blocks From Railroad Square"

Posted by Gabe Meline on Fri, Apr 6, 2012 at 11:15 PM

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Call it nitpicking, but I couldn't let this one slip by.

Monday, March 19, 2012

Judi Bari, the FBI, and the Press Democrat: Reporter Mike Geniella on an Unsolved Case

Posted by Leilani Clark on Mon, Mar 19, 2012 at 5:15 PM

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  • Photo by Pete Geniella

Mike Geniella, former reporter for the Press Democrat, moved to Ukiah in 1985, where he began covering the timber beat. Before his retirement in 2008, he wrote about everything from sawmills to tree-spiking. Geniella says he didn’t know “one end of a redwood tree from another" when he started, but after much talking, reading and studying old newspaper clips, he began to gain context and understanding of the nascent, jumbled and tragic battles between the timber industry and Earth First! activists in Mendocino and Humboldt counties. He was on the scene when tensions escalated—pushed to a fever pitch by the clear-cutting practices employed with increasing regularity after Texan oil executive Charles Hurwitz, CEO of the Maxxam conglomerate, purchased Pacific Lumber.

Sometime in the late 1980s, Geniella was introduced to Judi Bari when she dropped by his office with Darryl Cherney, who introduced the future Earth First! leader as his “sidekick.” Bari would soon go on to surpass Cherney in terms of influence and power within the environmental movement. Geniella describes Bari as “quick and clever” and “savvy about her leadership role.”

“That’s when I first saw how determined she was and how bright she was,” explains Geniella during our conversation at a Healdsburg coffee shop. After publishing an article in which he connected operations by the FBI against Earth First! in Arizona, Montana and California, Geniella ended up on the FBI radar. It’s still unknown just how much of an influence a staggering FBI memo had on thwarted attempts to remove Geniella from the timber beat in 1990. Quite the old school reporter, Geniella salted our conversation with liberal "goddamns" and "fucks" (edited out for the sake of editorial brevity), as he talked with a frank and direct honesty about nearly losing his job at the Press Democrat in the early 1990's.


What was it like covering the timber beat during the era of Judi Bari, Earth First! and Charles Hurwitz?

It was an intense period and everyone was getting scrutinized, including the newspaper. It was a very difficult time for everyone, including me. It was in this climate that the bombing occurred.

What are your thoughts on the bombing itself and the initial accusations that Bari and Cherney had bombed themselves?

I never bought too much into that theory. Knowing Judi at that point, the notion that she would knowingly sit on top of a bomb that had clearly been placed under the front seat of the car was inconceivable. Whatever Judi was about, killing herself in the name of martyrdom was not one of them.

How did the whole FBI memo situation come about?

For being a jaded newspaper man, I do have a Pollyanna side to me. I was approached by a freelance writer. She wanted to do an interview about my coverage of the timber beat, thinking that I was explaining how the newspaper works, and providing insights into the working of the media business. The writer (Lynn Dahl) typically was published in the North Coast Journal, but she decided to give the interview to Bruce Anderson and the Anderson Valley Advertiser. Anderson re-crafted the lede of the story to focus on Redwood Summer. The story starts off as if the point is Redwood Summer, rather than some, ‘who is this guy?’

What happened next?

The editors of the PD were angry that the interview appeared in the AVA. It was like the police breaking the code of silence. The issue became that the interview ended up in the AVA. We got into a conflict and they said they were going to take me off of the timber beat. I suggested to them that if they took a high profile reporter off of a high profile issue, that probably was going to raise a lot of unpleasant issues, and of course, it did.

I went down first to talk to them about it. It was a Monday morning, and Bruce Kyse and Chuck Buxton said we need to meet you—I think it was Cloverdale, some restaurant—and that’s when they informed me that they were taking me off the timber beat. I was very unhappy about that. One, I just thought it was unfair and bullshit. But more importantly, I realized that what they didn’t see at the time was that it was going to create an even bigger problem. And it did. The paper became the object of the notoriety. The Columbia Journalism Review ended up laying in on them. So this was not just a spat locally. I felt horribly caught in the middle of it all.

Two, it’s funny how we as humans in crisis act, and sometimes the bad decisions we make. In this case, I made the first mistake. They made the second big mistake, beyond taking me off. That was an internal decision. The publicity got to the point where they wanted me to make a statement that I had agreed with them. That I had agreed on my removal, and that my actions had created “the possibility of a perceived bias.”

That’s a mouthful, isn’t it?

That was like a professional death threat, had I signed it. They had it all typed up. They wanted me to sign it and they were going to distribute it. They wanted me to be removed because I had created this possiblity of a perceived bias. It was a death warrant. Would any other newspaper hire a reporter who said, “I was so dumb I created a bias, a potential bias”? Now, it became a very difficult situation. It ended up with my demand that I be returned to the timber beat. They were trying to whitewash it. My refusal to sign the document, of course, prolonged that. I simply had to say no. It was a very tense period. I was being advised by people about potential litigation.

There was a gentleman by the name of Elie Abel. He had been a White House Correspondent for the New York Times, the NBC White House Correspondent, the Dean of the Stanford School of Journalism, and the Dean of the Columbia School of Journalism. By chance, his daughter lived in Ukiah. She was the director of the local museum there.

The PD editors set a deadline. They said: you need to sign this by noon Saturday or we’re printing the story. And when I said I’m sure I can’t do that, I was warned that they were going to take the public hammer to me with this possibility of perceived bias. The night before the deadline, I’m sitting at home—my wife and I had four little boys at the time. I felt that my future as a journalist and our family’s economics were at stake. But my wife looked at me and said, “You have to do what’s right and if that means that we have to pack our bags and move on, then we have to do that.” So that’s how serious it was.

How did Elie Abel end up helping you?

We spoke on the phone for about an hour. I met him at the office the next day and he helped me draft a response to the editors.

Here’s this distinguished man who comes in and sits down. And I looked at him I said, well, I guess I have really fucked up. You get doubts in your own mind, even though I was sure, I still had that kind of doubt. He held up his hand and said, “You did nothing to warrant this. They are totally overreacting. I’m astounded that they would ask you to take the bullet for them.” Although, as we now know, that’s a very common practice in many places. But that was the watershed moment. He even offered to help me find a job.

Did you end up leaving the Press Democrat?

I decided that if they would return me to the timber beat, I would stay. I really didn’t want to uproot myself. On the other hand, though, I knew it was inevitable that I had to be returned. That was probably October 1990. So the editors and I entered into a kind of truce. Mr. Abel had advised me not to demand to be returned immediately. In my statement back to them I said a journalist should be judged by their work, not by what they might do.

They asked whether I had participated in Redwood Summer and I said that I had been asked for my observations about Redwood Summer. Huge difference.

What happened after you returned to the paper that January?

It was still a difficult period and I don’t know if anyone was happy. I don’t know if it was ever resolved. As soon as I returned to the timber beat, officially, it was as if it never happened. I proposed an ethics discussion so people could avoid this crap. Whatever I did, what I told Abel, whatever I did and whatever red flags it raised, it was unintentional. I hadn’t turned into some political activist. My whole point was that we should talk about this as reporters and professionals. But that never happened. I still believe that it was a missed opportunity, professionally.

How did you find out about the FBI memo? What did were the contents of the memo?

Three or four years later, when Judi was involved in the lawsuit against the Feds for civil rights violations, her defense team got access to all of the files. Judi’s role in all of that was organizing those files, reviewing them. It was an immense undertaking for her, but she did it. She called me one day, and she says, “So Geniella, I have a little document here that you’re going to find most interesting.” And I said, “What’s that?” And she said, “Oh, I won’t even talk about it, I’ll just fax it to you.” And I thought, again her credibility was such, that I thought, “okay.” A minute or so later, here comes this fax.

It’s this memo from Richard Held at San Francisco FBI headquarters to William Sessions, who was the FBI director at the time in Washington, D.C. I still have a copy of it somewhere. The subject was “Mike Geniella.” I was going, “What the. . . ?” An then it goes off and explains who I was, how I had covered these logging issues in Northern California, how I had gone to Arizona and Montana doing a bigger piece on Earth First activists, and essentially saying the basis of that and the investigation of a lot of accusations and few substantiated charges filed. From an FBI perspective, I’m sure they didn’t want to read that, but in fact that was the case. They’d already begun to trod out terrorism - “They were terrorists.” But it was a good, solid story.

The climate was such in Mendocino County and the North Coast, were all these people dangerous or not? This memo then cited that series of stories. The second paragraph said that they believed this reporter had distorted and manufactured facts, to deliberately set out to embarrass the FBI and diminish their case. This kind of scathing thing. So, in conclusion, it was asking Washington, should we voice our concerns to the publisher of the Press Democrat or should Washington take the concerns to the New York Times, the owners of the Press Democrat? It wasn’t a question of should we do this, it was where is this complaint going, to Santa Rosa or the New York Times? There was some allusion about the removal. There was something about bias. Even though it was three or four years after the fact, it was pretty stunning.

What was the timing of the memo in relation to the attempts by PD editors to remove you from the timber beat?

The memo was sent out roughly 35 days before I was taken off the timber beat. The timing was horribly coincidental, if you want to believe in coincidence. It was not only stunning to see that I was the subject of some FBI bullshit, but then, of course, as Judi quickly had pointed out, she said you need to look at the date very closely. So I’m stunned by reading the contents, and my second sock to the stomach was the realization that this was 3-4 weeks before I was taken off the timber beat.

I don’t care which side of the street you’re on, it raises the question; Did they talk to the publisher and/or to the New York Times management? And did I inadvertently give them the excuse to take me off the timber beat?

But here’s the problem with all of this crap. And that’s what it is, when it gets down to it, crap. So, I was back, writing great stuff about timber-related issues.

You stayed on the timber beat? You were never actually taken off?

I returned after that two month period and I stayed. Then, I did two things. I first went to the editor—Bruce Kyse, who’s now the publisher—and Chuck Buxton, who was actually the editor in charge of all of this.

I went to them and showed them a copy of the memo and I asked them if they’d ever been contacted by the FBI, and they insisted that no conversation ever occurred between them and the FBI. Professionally, I’ve accepted that because that’s what they assured me, and I have absolutely no reason to suggest that they aren’t telling the truth. However, I think that they would agree that the mere fact that that document exists raises the legitimate question of “did someone pressure or convince either the. . .” It doesn’t take much to imagine the New York Times executive management picking up the phone and saying, “I don’t care what this is about, get that asshole off the beat, we don’t want this.” I’m not saying that happened, but it’s certainly legitimate given what we all know about FBI memos and collusion and all of this.

So I was assured that there was no contact, and I accepted that.

From the PD editors, but that still leaves the New York Times

It leaves the question still open. I’m not going to weigh in on that. My bottom line is that I asked and was assured that the local editors did not have anything to do with anything, or any contact. I think that’s crucial to say—contact. So I’m going to accept that. But I have no problem talking about it because, frankly, I think the FBI memo speaks for itself. What did you boys do? And who did you talk to?

So to follow that up. There’s such a thing as the Freedom of Information act. So I went through that process thinking, well there’s a paper trail somewhere and it will tell me perhaps who was in contact with whom and what time?

I get this official letter back from the FBI saying, we have no file on you.

But your name was the subject of the memo…

So I filed another one, and then followed it up with a call to the FBI person in Washington who handled these things, and said, “I have a real issue with this.” Because I’m sitting here with an official, FBI memo in front of me. It’s initialed. It is an FBI document and it says “Subject: Mike Geniella.” Not Redwood Summer. And are you telling me that there’s no file and that this document doesn’t exist? And they said, “We don’t know. Where did you get that?” So I told them, “Well, it’s part of litigation but frankly it doesn’t matter. Where is Mike Geniella’s file? That’s what I want to see.” We don’t have it. Doesn’t exist. They never confirmed the existence. I said, “Well, what about this memo that I have?” And they said, “We can’t comment.”

The FBI just shut down. They said there was no profile on Mike Geniella, which was hard to believe given Redwood Summer and the whole cast of characters that they did have files on. But more importantly, clearly Mike Geniella was the subject of an FBI thing and it’s in a file someplace. And that was kind of the final roadblock. I couldn’t go anywhere, other than, thank God, I have a copy of it. I provided a copy to everyone I thought should have a copy of it.

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Monday, March 12, 2012

Winners of the Straight Up Vodka Cocktail Competition and Tasting Benefit

Posted by Leilani Clark on Mon, Mar 12, 2012 at 5:42 PM

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On Thursday March 8, Literacyworks, a Sonoma County-based non-profit organization dedicated to promoting literacy of all types, held a first annual fundraiser at the Sheraton Sonoma-Petaluma. The event brought out bartenders (or "mixologist" in 21st century faux-foodie parlance) from Cyrus, John Ash, Jole, Farmstead, Sonoma-Meritage, Rocker Oysterfellers, Graffiti, Tolay, Tres Hombres, and Hilltop 1892 for a little friendly vodka drink competition.

A panel of expert judges (including the Bohemian's own James Knight) crowned Dan Kaiser of Jole restaurant as the First Place winner of the Critic's Choice Award for his Orange Blossom drink.

Recipe:  

1 1/2 oz Charbay Vodka
1 oz Hendrick's Gin
1 oz Adelsheim Deglace Pinot Noir Ice Wine
1/2 oz lemon juice
2 dashes orange bitters.

All are shaken and served up.

The winner of the Popular Choice award was Rich Largespada of Tres Hombres for the Flor de Tres Cocktail.

Ingredients:

Charbay Vodka
Wild Hibiscus Rose Syrup
Agavero Tequila Orange Liquor
Agave Nectar and Sweet and Sour

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The Funniest Thing You'll Read All Day

Posted by Gabe Meline on Mon, Mar 12, 2012 at 12:51 AM

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'Condo Project Has Fountaingrove Athletic Club Members Up in Arms.'

For the record, no one in Fountaingrove is in any position to complain about their spoiled view, with Varenna, or the Lodge, or now this. When it was built, Fountaingrove itself violated strict ridgeline laws and irreparably ruined the scenic hillside for the rest of the city. That fact doesn't fit anywhere neatly in city staff reports, but it's important history that shouldn't be forgotten.

Tuesday, February 28, 2012

Let's Talk Gangs

Posted by Gabe Meline on Tue, Feb 28, 2012 at 8:13 PM

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Tonight's city council meeting had it all: grandstanding, fireworks, hyperbole, backtracking and bickering.

What it didn't have, unfortunately, was any substantial clarification on gang-related crime.

Some may remember what started this discussion: Robert Edmonds' Bohemian cover story on the admitted inability of the Santa Rosa Police Department to report accurate gang crime statistics—even as the department was receiving millions of taxpayer dollars for gang prevention from Measure O, which required a "standard statistical reporting format" for "gang-related criminal data."

As editor, I was proud to run the story. I was also glad to see Kevin McCallum bring it to a wide audience on the front page of the Press Democrat this past Sunday. But what I really looked forward to was SRPD Chief Tom Schwedhelm's report on the matter to the city council tonight.

I like Schwedhelm. The fact that he agreed to sit down and answer tough questions from Edmonds, who's worked on police accountability issues for years, speaks volumes. As he himself said tonight, "We're being very transparent about this. There are other communities where this would never see the light of day."

As such, Schwedhelm has openly admitted that the department doesn't have accurate gang crime data, and for this he cites budget cuts and lack of officer training. Mostly, though, he's chalked it up to a change in the "reporting and methodology" for gang-related crime. That's the key reason, according to the department, that in documents supplied to Edmonds (and later, to city council members), gang crimes in Santa Rosa appear to have jumped a whopping 346 percent in the past five years.

Despite repeated requests from Edmonds, Schwedhelm didn't supply details. After the story ran in the Bohemian, however, this item popped up on tonight's council agenda: "GANG CRIME STATISTICS AND REPORTING METHODOLOGY UPDATE."

Here's the update, then. I went to tonight's meeting, and in his presentation, Schwedhelm reported that the department had "broadened" their statistical reporting, thus causing the alarming jump in reported gang statistics. But how broad was "broad," I wondered? When it came time for Schwedhelm's grand reveal on the overhead projector, the department's much-touted "new" definition of a "gang-related incident"—instead of a gang-related crime—read as follows:

“A gang-related incident is defined as an incident where there is a reasonable suspicion that the individual who is involved with the incident has been or is currently associated with criminal gang activity, or where the totality of the circumstances indicates that the incident is consistent with criminal street gang activity.”

Now, call me crazy, but to me that sounds a lot like saying "A gang-related incident is what we say is a gang-related incident." Which is not really saying anything at all.

So there are a few things I'd like to see.

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After the presentation, and after Gary Wysocky and Ernesto Olivares traded some lively barbs ("I resent that," "I take offense to you," etc.), the public comment portion of the meeting finally included several mentions of what no one likes talking about: race. So with concern to racial profiling, I'd like to see some specific criteria on exactly how the department designates an incident as "gang-related," and what evidence the department uses to designate an individual as a gang member. Something like this, perhaps, which is a document showing how the department once identified gang members. Really, read it.

I'd like to know why the department has now decided to include "incidents" in gang statistics, which has sharply raised the statistics for gang activity in Santa Rosa, and I'd like to hear some concrete examples of situations that might constitute an "incident" as opposed to a crime.

I'd like to know more about Schwedhelm's twice-repeated statement tonight that "We don't track individuals, we track incidents." That seems to directly contradict the department's stated goal of identifying individuals that have been or are currently associated with criminal gang activity. Furthermore, I'd like to know if, like the majority of law enforcement agencies in the state, the SRPD works with CalGang, a statewide "intelligence database targeting specifically members of criminal street gangs, tracking their descriptions, tattoos, criminal associates, locations, vehicles, fi's, criminal histories and activities."

I'd like to know how often the police department and Mayor's Gang Prevention Task Force receive additional outside funding in the form of grants, and if their chances of receiving grants are increased by doing just this—demonstrating higher statistical gang activity in Santa Rosa.

Mostly, though, I'd like to know where this all leads.

We can talk about statistics and funding all we want, but here's where my cynical side kicks in. I hate my cynical side, but here's what it's telling me: no matter what the statistics say, the police department can always make a case for more funding. If gang-crime statistics are down, they can say "We're doing a great job, here's the proof, keep giving us money." If the gang-crime statistics are up, they can say "There's a huge problem here in Santa Rosa, we need more money."

Then my positive side kicks in and says that the Mayor's Gang Prevention Task Force is truly doing a lot of good work with after-school programs and community festivals, even though they allowed children in South Park to play with semiautomatic weapons as part of "Gang Awareness Week," which I think is deplorable. (They also publicly boasted about banning "Snitches Get Stitches" shirts from being sold at the Santa Rosa Plaza, which I think is just kind of funny, actually.)

Then I think about all the anecdotal evidence, which is what the SRPD and Olivares prefer to talk about in the absence of hard statistics. Except the anecdotes I hear are a little different. The former gang members who can't get off the gang database. The kids who commit misdemeanors, like writing graffiti, which then get unfairly upgraded to felonies because the police say it's "gang-related." The times my wife has called the police reporting gang fights at her work, only to wait 45 minutes for officers to arrive. The friends I have living in Roseland who say the gang problem is blown way out of proportion as a political fear tactic. The officer who disfigured a woman when he crashed into her truck driving 100mph in response to a call about some kids at the DMV wearing baggy clothes. The guy from South Park who talked at tonight's meeting, who said the only authority figure that ever helped him avoid gang life was a school counselor, and the only thing Measure O ever did was cycle a bunch of his friends through jail and juvenile hall. There are hundreds of other stories.

At any rate, Measure O doesn't expire until 2026, so there's going to be plenty more years of Santa Rosa taxpayer money going to gang prevention. But always remember: it's our sales tax increase that we voted for—it's our money, really—and because of that, we have a right to be able to ask questions and expect clear answers about its effectiveness. And we definitely have a say in how the money is spent.

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PG&E Hacks Trees Again

Posted by Leilani Clark on Tue, Feb 28, 2012 at 11:44 AM

A hacked redwood tree outside a house in Southwest Santa Rosa
  • Alma Shaw
  • A hacked redwood tree outside a house in Southwest Santa Rosa

Last year, in the article Hack Job, we wrote about concerns over the implementation of PG&E's reliability pruning program. Critics like Forestville tree service company owner Darryl Sukovitzen accused the new "trimming regime" of being irresponsible and corrupt, and arborists and homeowners shared stories of trees being cut within an inch of their life, without regard for the health of the tree or the safety of homes below.

Nevertheless, a PG&E spokesperson told us that all of the company's pruning is performed within International Society of Arboriculture guidelines.

According to an article in today's Press Democrat, though, the power company is at again, planning to cut down thousands of trees under high-voltage power lines across Sonoma County. They say it'll protect the local power grid from blackouts. Those who live near the trees says that the plan goes way too far, taking out oaks and oleanders that don't necessarily pose a threat.

Could this be a case of putting a financial bottom line over the preservation of the trees?

For more, see Save Our Sonoma Trees, an organization fighting the tree-cutting.

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Thursday, February 23, 2012

So Where Does Petaluma Councilmember Chris Albertson Live, Really?

Posted by Peter Byrne on Thu, Feb 23, 2012 at 4:38 PM

Anderson.jpg
In January of 2011, Chris Albertson was sworn in as a member of the Petaluma City Council. But public records show that for 2011, Albertson took a California homeowners’ property tax exemption for a house in Santa Barbara, 360 miles south of City Hall.

Here's the problem with that.

Candidates for city council must be registered to vote at a Petaluma address, according to Sonoma County Assessor and Registrar of Voters Janice Atkinson. When I got in touch with her, she affirmed that “it is a requirement that a person register at the address that s/he considers to be her domicile.”

“Domicile” is defined by the Oxford English Dictionary as the “place of a person’s permanent residence, which he or she leaves only temporarily.”

So is it kosher for Albertson to take a tax deduction for his “principal place of residence” in Santa Barbara while holding elective office in Petaluma? Can he have one domicile for tax purposes, and another domicile for voting?

Albertson rents a home in Petaluma. But public records show that he and his spouse, Marilyn Albertson, are joined in a living trust that owns 2211 Sycamore Canyon Road in Santa Barbara. They’ve owned the house for decades. In 2011, as in prior years, the Albertsons declared to the Santa Barbara County Assessor that they are eligible for the homeowner’s tax deduction because the house is their “principal place of residence.” The exemption knocks $7,000 off the assessed value of the home for property tax purposes. (Currently, Zillow estimates the house to be worth $1.22 million.)

I asked Atkinson to clarify the issue. She explained that a person could “accept employment in one county and to avoid commuting establish a residence in another county. However, this person considers the second residence to be temporary. S/he has every intention of returning to his or her original residence, and continues to consider it to be his or her domicile.”

It makes sense that Albertson might still consider Santa Barbara home—he served with the Santa Barbara Fire Department for 28 years. But in 2001, he was hired as the fire chief of Petaluma, where, according to his campaign biography, “Marilyn and I made many lasting friendships.” Albertson retired as chief in 2008 on a public pension, and he successfully ran for city council two years later.

(During Albertson’s campaign, supported by the Argus-Courier and the North Coast Builders Exchange, he favored making public employee retirement plans less cushy for public employees hired in the future, while safeguarding benefits for currently retired public employees. But we digress. Back to Atkinson.)

Atkinson says that although her office does not check the authenticity of voter registrations, “If there is sufficient evidence to cause concern that someone has registered to vote at an address that is not his or her domicile, the Registrar of Voters may forward information to the Secretary of State’s Voter Fraud Division for investigation.” Of course, while Albertson’s domicile for voter registration may be perfectly acceptable for holding elective office, there does remain the thorny question of domicile for the tax deduction. Or vice versa.

Atkinson says that in California statutes, “the concept of domicile is somewhat fuzzy, but it needs to be, as there are many different situations. I hope this clarifies the situation.”

Oxford defines clarity as “lack of ambiguity.” So, I called upon Albertson himself, hoping for some unambiguous clarification.

He acknowledged that his family does indeed take the tax deduction in Santa Barbara. “My wife and I have a long distance relationship,” he explained. “She lives in Santa Barbara, and I live in Petaluma, and it’s none of your business.”

Or is it?

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